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Ballet Star Matthew Ball on Grueling Parts and Social Media Attention: 'I'm Not Precious About My Body'

Within the quiet ambiance of a lounge near London's prestigious dance company, Matthew Ball requests a mint tea. His posture is effortlessly straight-backed, his limbs defined beneath a simple white T-shirt. On stage, dancers can seem like powerful deities, yet frequently offstage they are petite. This is not true for Ball, whose height is part of his demand for princely roles and pas de deux work. With delicate traits and intense eyes, there's a hint of a brooding actor about him.

A Seamless Ascent to the Pinnacle

Now 31, Ball is enjoying the peak of a career that has advanced seamlessly. Growing up in Liverpool, he faced minimal teasing for his childhood interest in ballet. Entering the esteemed training institution at 11, he moved directly into the company and was advanced each year, attaining the top rank of principal in 2018. He has relished taking on meaty dramatic roles, particularly the emotional angst found in a famed choreographer's ballets.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

Ball's next starring appearance is in a talk, in an "Evening With" series aiming to offer intimate perspectives into a performer's art. He will guide the audience through a role, showing his cognitive workflow during execution. Yet in more comedic ballets, the challenge is profound. "Don Quixote is one of the most demanding technically," he states.

The Mental Struggle and Post-Performance Feelings

What about after a show, when he has pulled it off? "It's pretty good," he says. "However because I'm trying to squeeze all the juice out of it, and get lost in the character, frequently I do feel embarrassed later. Following Mayerling I'm always thinking: God, what must people think?"

In person, Ball is thoughtful, polite, and quick to laugh at himself. Yet a choreographer once remarked on a "kind of suffering in him." Does this exist? "I am very energetic in general, but I do have a melancholy streak," he confesses. "I somewhat enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for positive change."

Early Motivations and Creative Influences

Ball's determination stemmed from early setbacks. Not doing well in contests at school made him "driven!" It was fuel to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.

An upcoming endeavor is making his own dance works. For Ball, "there's nothing wrong with." "Breaking the conventions is interesting, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing ideas from books, music, and painting.

Intimate Dance and Personal Dynamic

He additionally favors presenting dance in smaller spaces. "It was just really thrilling," he says of a previous show. "You’re so near to the audience. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"

Ball has made pieces with his partner, fellow lead dancer Mayara Magri. The degree of trust between them is clear. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." The couple are not usually matched on stage at their home company, which might be healthy. "We’re both quite determined people, so it’s not always hunky dory," he admits. "Yet I feel like we’re each other’s favorite supporter."

On Social Media and Physical Perception

On Instagram, fans can see videos from his dance films and photos that highlight a sculpted physique. Does he care that the response can be a bit focused on appearance? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to viewing Michelangelo’s David—something that can be interpreted on various ways.

Ball characterizes his early self as "eager for success." Did it lived up to his hopes? "I am conscious of how reality is a different thing to the dreams you had as a child," he reflects. He probably has about ten years of dancing left. "I suppose in the future, I want to be a bit more kind with myself."

The writer

Sean Moore

A seasoned gambling analyst with over a decade of experience covering UK betting markets and regulatory changes.

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